Circa1865

The mid-1970s pardons of Robert E. Lee and Jefferson Davis were only symbolic gestures that had little impact beyond political posturing, though the outpouring of respect and veneration of these great American leaders showed an America still exhibiting historical perspective. This was the same era that historian Emil Eisenschiml revisited the long-overlooked plot of Edwin Stanton’s Radical Republican’s plotting Lincoln’s death.

Bernhard Thuersam, www.Circa1865.com

Heroes for All Americans

“In August 1975, President Gerald Ford signed Senate Joint Resolution 23 restoring full citizenship rights to Robert E. Lee. Three years later, President Jimmy Carter approved congressional action extending similar amnesty to Jefferson Davis.

A generation following Appomattox, “Marse Robert” had eclipsed all other Confederate rivals, becoming the region’s most celebrated hero. Theodore Roosevelt praised the Confederacy’s greatest general as a hero for all Americans. In the mid-1920s Congress heartily endorsed the refurbishing of the Custis-Lee mansion, naming the home a national shrine. Author Douglas Hall] Freeman painted a portrait of Lee as an individual beyond reproach in all respects of his public and private life.

After World War II . . . A host of symbolic measures indicated his status as a national hero: Virginia’s placement of a statue of the general in the Capitol building; the hanging of Lee’s portrait in the main reading room of the West Point Library; the christening of the nuclear-powered submarine the Robert E. Lee; and the opening of America’s centennial celebration of the Civil War with separate ceremonies at Grant’s and Lee’s tombs.

[The] intensity with which the general was venerated, especially in the South, made any criticism of him risky business. President Dwight Eisenhower learned this fact the hard way. In May, 1957, Ike visited the Gettysburg battlefield in the company of Field Marshal Bernard Montgomery. After their tour, the World War II heroes told reporters that both Meade and Lee deserved to be sacked for the errors they had committed at Gettysburg.

Senator Olin Johnson of South Carolina indignantly responded to Ike’s blasphemy” “It is offensive to my people to listen to a general who had at his disposal in his day the most wealth, men, materials of war, and the largest army, navy and air force in history, and hear him criticize a great Confederate general who, despite poverty, starvation, a ragged army, and practically no navy or munitions, managed to hold off and even invade the territory of the industrialized, wealthy, well-fed Yankees.”

Senator Harry Byrd, Sr. of Virginia . . . observed that “Lee needs no defense . . . his glorious record, his noble character, and his moral leadership give him a place in world history that no one can impair.” An editorial in the Washington Evening Star called the president’s post-tour comments a major setback for Republican efforts to woo votes in Dixie . . . “

[Senator Hubert] Humphrey of Minnesota melodramatically seconded a pardon: “I know I am what one would call a Yankee, but I am more than that: I am an American. One great American was Robert E. Lee.”

Shortly after Carter’s election, Senator Mark Hatfield [of Oregon] introduced in the Senate a bill “to restore Posthumously Citizenship to Jefferson F. Davis.” In lengthy remarks, Hatfield [stated that] the Confederate leader was “an honest public servant of principle the like of which is all too rare in these days when expedience is more ardently practiced than conviction defended.” Hatfield claimed that his resolution would “correct a grave injustice inflicted upon Davis by a vindictive conqueror.”

(Reconstruction in the Wake of Vietnam; The Pardoning of Robert E. Lee and Jefferson Davis, Francis MacDonnell, Civil War History, Vol. XL, 1994, Kent State University Press, excerpts, pp. 127-130)

Loosely meaning “the way” or “the path,” Taosim originated in prehistoric China and has exerted a strong influence over Chinese thinking for ages. During China’s cultural revolution of 1966-1976, many Taoist temples were desecrated and monks sent to hard labor camps. Nonetheless, the Taoist view of historic places and memorials to the past resonate today.

Bernhard Thuersam, www.Circa1865.com

The Tao on Historic Places

“Autumn trees swept with dawn,

Look as if they’ve been lacquered,

Rooted around an old battlefield,

The mists linger here like ghosts.”

There are still places where you can walk and feel a profound gloom. Such is the case with old battlefields. People died there. The force of their determination still resonates.

You can find such places in every country. Often, no one builds anything there, even when land is dear. We say that we do not want to forget our dead. We say there should be a memorial. Others say that the disturbance there is so great that the living cannot abide with the dead.

History is essential to our understanding of the present. Unless we are conscious of the way in which we came to this point in time as a people, then we shall never fully be able to plan the present and the future. We need to know what roots are still alive.

We need to know how things came to be so that we can project from here. We also need to know the failures of the past so that we can avoid repeating them.

History is not always glorious. Sometimes our history is melancholy. We must accept that. This life is terrible and people do terrible things to each other. If we are to live for the sake of the good and strong, then we should have as much of a background as possible.”

(365 Tao, Daily Meditations, Deng Ming-Dao, Harper San Francisco, 1992, pg. 278)

At the unveiling of Jefferson Davis’ bronze figure in Statuary Hall, Hon. Pat Harrison spoke: “Few men in the history of the Nation rendered more signal service for the country in peace or in war than did Davis. He is not among strangers . . . Over there are clay, Webster, Benton, Cass and Calhoun, his idol, with whom he served in the Senate of the United States.”

Bernhard Thuersam, www.Circa1865.com

A Soldier and Statesman Who Served His State

An impressive scene was that in Statuary Hall of the Capitol at Washington, on June 2 [1931], when the State of Mississippi presented to the nation the bronze figure of her adopted son, Jefferson Davis, soldier and statesman.

As the cord holding the huge United States flag about the statue was drawn by Miss Adele Hayes-Davis, great grand-daughter of Jefferson Davis, another son of Mississippi, Hon. Pat Harrison, stepped to the front and delivered an eloquent tribute to the man who had served his State and nation in high places, yet had died without a country.

Fitting indeed that he should be now be known and recognized for that high service, as he has stood for long in the love and esteem of his people of the South, so now he stands in the Nation’s Valhalla of those who gave it greatest service. Of high character and blameless life, no more distinguished citizen of Mississippi could have been thus honored, and few there be who will feel but that Jefferson Davis has at last come into his own.

Commenting upon the feeling that would have been aroused by the placing of this statue in the Capitol some years back, the Boston Transcript concludes in a lengthy editorial: “The name of Jefferson Davis is justly revered in the South today, and there is no reason why it should not be honored in the North.”

In his address, Edgar S. Wilson, of Mississippi – who was a pallbearer at the Davis funeral in New Orleans – recounted scenes in the last days of Mr. Davis, “particularly when the Mississippi legislature called him before it to demonstrate to him the love and affection of the people of the State, although he walked among them a disenfranchised man.”

(In the Nation’s Capitol, Confederate Veteran Magazine, July 1931, excerpt, page 244)

The following is a news account of the unveiling of the Confederate Monument in Lumberton, North Carolina in 1907, a scene replicated across the South in similar ceremonies which honored the service and sacrifice of Southern men who left their homes and families to defend their State and country.  It is important to note that these monuments were left to the custody of public authorities who were expected to provide perpetual care and faithfully honor the men who gave their lives for political freedom and liberty.

Bernhard Thuersam, www.Circa1865.com

Robeson County Confederate Monument Unveiling, Friday, 10 May, 1907

(Transcribed from The Robesonian of 13 May, 1907.)

“The most notable day in the history of Robeson county was the unveiling of the Confederate monument on Friday, the Tenth of May. This occasion had long been looked forward to, and by daybreak people were gathering from every direction. Carriages, buggies, wagons, carts, automobiles, wheels and every kind of vehicle was put in use on that day to bring the people interested.

By ten ‘clock it was with difficulty that one could make his way along the streets. Never before has such an immense crowd been assembled in Robeson county. No drinking, no misbehavior of any kind was witnessed that day. A matter of much comment was the splendid appearance of those present. Robeson well has a right to feel proud of her citizenship.

The streets and public buildings of the town were elaborately and beautifully decorated in national colors, and suspended across Main Street, banners were hung with the word “Welcome” on them in letters to catch the eye of every passerby. On the corner of Fifth and Main Streets, a booth was beautifully decorated, and here the badges of the day were bestowed upon the Veterans.

Governor [Robert B.] Glenn was met at the train at 10 o’clock, and driven in a carriage to the handsome home of Col. N. A. McLean. The Red Springs Daughters of the Confederacy were met at the station and taken to the home of Mr. & Mrs. McIntyre, where a splendid reception was tendered them.

The parade started at 11 o’clock at the Waverly hotel, in charge of Capt. A. J. McKinnon, chief marshal. First came the marshals, numbering about 75, on prancing horses with sashes of national colors flying in the breeze, making as fine an appearance of any body of horsemen could desire; following in succession came the Lumberton and Maxton brass bands, making every pulse [quicken] as they steadily marched and played stirring martial music; [then] the Maxton Guards, Lumber Bridge Infantry, Camps Ryan Hoke and Rowland [of the] United Confederate Veterans, numbering about five hundred, led by Capt. [James] I. Metts of Wilmington . . . the old Confederate flag of the Fifty-first [North Carolina] Regiment was borne by Gen. S. J. Cobb, marching to the time of the music and wearing with pride their badges of honor.

The sight of these veterans, the men who faced death long ago for their country and future generations [inspired] the hearts of all, and too, it was a scene of pathos. Some who received lifelong injuries, and others who faced the guns and death so fearlessly in the 60’s are bowed with age, but from the eyes of these worn veterans, flashed the fires of old time courage and vigor. As they marched along cheer after cheer arose from the vast throng and the enthusiasm was great.

Last in the parade came the floats of Maxton, Red Springs, Fairmont, Lumberton, and several others, all beautifully and tastefully decorated in national colors. The individuality of the different floats was striking; not one in arrangement bore any resemblance to another, yet all were beautifully planned and decorated.

In the Maxton float was Miss Bonnie Dixie McBryde, and sponsors. After marching around the town, the parade proceeded to the court house square, where they halted and Governor Glenn, Miss McBryde and others who were to take part in the program, were assembled on the improvised rostrum beside the monument, in the midst of the gaze of thousands of curious, interested eyes.

The seats arranged on the grounds of the court house square, were soon filled with veterans, and th4 masses were gathered as closely around the platform as possible, in order that they might hear each word that fe4ll from the lips of their beloved and honored governor.

Mr. Stephen McIntyre was master of ceremonies, fittingly welcomed the visitors and expressed [the] regret of the committee that the monument was not complete; the statue having failed to arrive in time for erection.

He spoke of the energy and determination and devotion of those who had caused the monument to be erected, [and] in glowing terms of commendation, making mention of our worthy county Treasurer, M.G. McKenzie, who for the past ten years had labored toward the end which is at last attained.

The choir sang in ringing voices, the old but ever new song, the “Old North State,” after which Miss Bonnie McBryde, the accomplished and attractive young daughter of Capt. Thomas A. McBryde, pulled the cord that caused the white veil to fall, revealing the monument, standing there in solemn grandeur, to the eager gaze of thousands. A wild, joyous cheer rose from the throats of all, mingling with a dozen factory whistles and the military salute, three volley being fired.

Miss Katie Lee McKinnon then beautifully recited “The Conquered Banner.” Miss McKinnon is a reciter of exceptional ability, and her very successful effort was warmly appreciated and brought tears to the eyes of many, as she spoke in thrilling tones.

Governor Glenn was presented by Mr. S. McIntyre, who said that no introduction of Governor R.B. Glenn was needed, for his name throughout the State was synonymous with progress and advancement, intellectual and moral. He welcomed him to the county of Robeson in most admirable and suitable words.

Governor Glenn arose and addressed the people . . . his kind benevolent countenance won the hearts of the spectators from the beginning [and a] hush fell on that vast throng and all listened with bated breath to one of the most masterly efforts ever produced in Robeson. He assured his hearers in the beginning that the purpose of the gathering was not only to unveil the monument erected to those who had met death in a noble cause, but to give a hearty handshake to those who still linger, and to instill noble aspirations and loyalty in the hearts of the coming generations. He paid a most splendid and touching tribute to the veterans who sat facing him, that the world has never seen braver or more worthy soldiers than those who followed Lee and Jackson from 1861 to 1865; that none were more deserving than those who went from North Carolina, the Tar Heel State, the grandest commonwealth south of the Mason and Dixon line.

In glowing terms that inspired his hearers, he spoke of the glorious deeds done in the 60s by the gallant sons of the Old North State. His recitals of the deeds done by the North Carolina sons at Malvern Hill, Fredericksburg, Gettysburg [and] Appomattox was thrilling and carried the thoughts of listening veterans back, – back, to the cruel hardships of war. North Carolina, he said, entered the great struggle unwillingly, but once started, there was no turning back. Always in the midst of the battle, with a never-faltering courage, they deserved the highest tribute which could be paid them.

While Governor Glenn said the men of the South were brave and noble, he said the women were even more so. Without the courage and never failing sympathy of the good women of the South, they could never have held out [against the enemy] as they did.

In his closing remarks he besought the veterans to live lives of honor and such as would entitle them to enter and belong to the Great Army and serve under the banner of the Great Captain. He urged the young people that they live such lives as will make them worthy of the responsibilities of the future, [and] that they might worthily take the places of the older ones when they should pass away and be able to finish the task committed to their care with honor.

When Governor Glenn took his seat, there arose cheer after cheer [and] the people were most enthusiastic in their enjoyment and appreciation of his powerful address.

Crosses of Honor were presented to 15 Veterans when the address closed. After which, the monument was formally turned over to the custody and care of the commissioners of Robeson county, and Rev. C.H. Durham dismissed the audience.

An elaborate dinner was spread on tables in the court house yard where the veterans and military were served dinner. At 4:50PM the Daughters of the Confederacy visited the graves of Confederate soldiers which they covered with many beautiful flowers. The occasion was one which will live long in the memories of all who attended. It was the biggest day Lumberton has ever known. The crowd was estimated at seven thousand people.”

The conservative and noble Christian civilization of the South described below has all but vanished as the New South of industrial capitalism, materialism and commercial vulgarity supplanted it.

Bernhard Thuersam, www.Circa1865.com

The South and Her People

Remarks of J.C.C. Black, at the Unveiling of the Benjamin H. Hill Statue, Atlanta, Georgia, May 1, 1886 (excerpt):

“As to us, [secession] was not prompted by hatred of the Union resting upon the consent of the people, and governed by the Constitution of our fathers. It was not intended to subvert the vital principles of the government they founded, but to perpetuate them. The government of the new did not differ in its form or any of its essential principles from the old Confederacy. The Constitutions were the same, except such changes as the wisdom of experience suggested.

The Southern Confederacy contemplated no invasion or conquest. Its chief corner-stone was not African slavery. Its foundations were laid in the doctrines of the Fathers of the Republic, and the chief corner-stone was the essential fundamental principle of free government; that all governments derive their just powers from the consent of the governed.

Its purpose was not to perpetuate the slavery of the black race, but to preserve the liberty of the white race of the South. It was another Declaration of American Independence.

In the purity of their motives, in the loftiness of their patriotism, in their love of liberty, they who declared and maintained the first were not worthier than they who declared, and failed, in the last. Animated by such purposes, aspiring to such destiny, feeling justified then (and without shame now), we entered upon that movement. It was opposed by war on the South and her people.

What was the South, and who were her people? Where do you look for the civilization of a people? In their history, in their achievements, in their institutions, in their character, in their men and women, in their love of liberty and country, in their fear of God, in their contributions to the progress of society . . . Measured by this high standard, where was there a grander and nobler civilization than hers?

Where has there been a greater love of learning than that which established her colleges and universities? Where better preparatory schools, sustained by private patronage and not the exactions of the tax-gatherer – now unhappily dwarfed and well-nigh blighted by our modern system.

Whose people had higher sense of personal honor? Whose business and commerce were controlled by higher integrity? Whose public mean had cleaner hands and purer records? Whose soldiers were braver and knightlier? Whose orators more eloquent and persuasive? Whose statesmen more wise and conservative?

Whose young men more chivalric? Whose young women more chaste? Whose fathers and mothers worthier examples? Whose homes more abounded in hospitality as genial and free to every friendly comer as the sun that covered them with its splendor?

Where was there more respect for woman, for church, for the Sabbath, for God, and for the law, which, next to God, is entitled to the highest respect and veneration of man, for it is the fittest representative of His awful majesty, and power and goodness? Where was there more love of home, of country and of liberty?

Her religious teachers, deriving their theology from the Bible, guarded the Church from being spoiled “through philosophy and vain deceit after the traditions of men, after the rudiments of the world, and not after Christ.”

Her women adorned the highest social circles of Europe and America with their modesty, beauty and culture. Her men, in every society, won a higher title than “the grand old name of “gentleman” – that of “Southern gentlemen.”

It is asked what had [the South] added to the glories of the Republic?

Who wrote the Declaration of Independence? Jefferson. Who led the armies of the Republic in maintaining and establishing that independence? Who gave mankind new ideas of greatness? Who has taught the ruled of the world that man may be entrusted with power? Who has taught the rulers of the world when and how to surrender power? Washington.

What State made the first call for the convention that framed the Constitution? Virginia. Who was the father of the Constitution? Madison. Who made our system of jurisprudence, unsurpassed by the civil law of Rome and the common law of England? Marshall. Who was Marshall’s worthy successor? Taney.

Is it asked where [the South’s] history was written? It was written upon the brightest page of American annals. It was written upon the records of the convention that made the Constitution. It was written in the debates of Congresses that met, not to wrangle over questions of mere party supremacy, but, like statesmen and philosophers, to discuss and solve great problems of human government.

Forced to defend our homes and liberties after every honorable effort for peaceful separation, we went to war. Our leaders were worthy in their high commission. Our people sealed their sincerity with the richest treasure ever offered, and the noblest holocaust ever consumed upon the altar of country.

To many of you who enjoy the honor of having participated in it the history is known. You ought to prove yourselves worthy of that honor by teaching that history to those who come after you.”

(Southern Historical Society Papers, XIV, Rev. J. William Jones, editor, January to December 1886, excerpts, pp. 167-170)

Alexander White, antebellum United States Congressman from the Talledega District in Alabama and member of the State Convention in 1865, presented this speech to the convention. White “loved his country, he had loved the land of his birth, his native Alabama, before her disasters, before she was stricken down by armed battalions; but now in her misfortunes and desolation, now that she was in chains, he loved her more than ever.” Like Robert E. Lee, his country was his State, and to it he owed his allegiance above all else.

Bernhard Thuersam, www.Circa1865.com

The South Needs No Eulogy

“Mr. President:

The Bonnie Blue flag no longer reflects the light of the morning sunbeam, or kisses with its silken folds the genial breezes of our Southern clime. The hands that waved it along the crest of a hundred battle-fields, and the hearts, for the love they bore it, that so often defied danger and death, no longer rally around it. Another banner waves in triumph over its closed and prostate folds; but proud memories and glorious recollections cluster around.

Sir, I will refrain. The South needs no eulogy. The faithful record of her achievements will encircle her brow with glory bright and enduring as the diadem that crowns the night of her cloudless skies. The scenes of Marathon and Platae have been reenacted in the New World without the beneficent results which flow from those battle-fields of freedom, and our country lies prostate at the feet of the conqueror.

But dearer to me is she in this hour of her humiliation than she was in the day and hour of her pride and her power. Each blood-stained battle-field, each track of her devastation, each new-made grave of her sons fallen in her defense, each mutilated form of the Confederate soldier — her widow’s tear, her orphan’s cry, are but so many chords that bind me to her in her desolation, and draw my affections closer around my stricken country.

When I raise my voice or lift my hand against her, may the thunder rive me where I stand!

Though I may be false in all else, I will be true to her. Though all others may prove faithless, I will be faithful still. And when, in obedience to the great summons, “Dust to dust,” my heart shall return to that earth from whence it sprang, it shall sink into her bosom with the proud consciousness that it never knew one beat not in union with the honor, the interests, the glory of my country.”

(Reminiscences of Public Men in Alabama, William Garrett, Plantation Publishing Company’s Press, 1872, excerpts, pp. 562-564)

The South has not produced a domestic architecture since 1865 as distinctive as that of the Old South, though the traditions of older styles of architecture prevail to this day and thwart the acceptance of mediocre and soulless modernist (read: cultural Marxist) boxes. The cities, big and small, of the South also enjoy a plethora of important works by notable sculptors commissioned to create permanent reminders of those who fought for the liberty and independence of the South.

Bernhard Thuersam, www.Circa1865.com

Southern Remembrances in Stone

“America could never be called a sculpture-loving nation like France or Italy. A trip through either of these countries impresses one with the poverty of America sculpturally. The emotions, aspirations, and triumphs of these nations seem to have crystallized through the centuries into marble and bronze monuments.

A ready excuse for the lack of sculpture in the South is the poverty that was prevalent after the Civil War, the period in which the North erected so many of its monuments. That this explanation is not truly sufficient, however, is evident when one checks the sculptural commissions given in the South since the [First] World War.

The only State in the South that can boast of a long list of sculptured possessions is Virginia. Richmond as the capital has a fine array of monuments. Notable among these are Washington by Houdon; Robert E. Lee by Mercie; Jefferson Davis and General Wickham by Valentine. Charlottesville, the seat of the University of Virginia, has almost as many monuments as Richmond and several of high quality – a Lewis and Clark group and an equestrian Stonewall Jackson by Charles Keck; a second monument to George Rogers Clark of great merit by Robert L. Aitken, and the expressive Thomas Jefferson by Karl Bitter. Arlington, of course, adds to the State’s total.

A glance through the list off monuments in other cities in the State shows work by Henry Adams and Bryan Baker, monuments by Charles Keck in several places, and many monuments by George Julian Zolney. Even the smaller cities in Virginia are thus seen to call upon sculptors of national reputation to design their memorials.

After Virginia several States group together in the quantity and quality of their sculpture. Georgia, Mississippi, Louisiana and Texas are about in the same class.

At Stone Mountain, near Atlanta, Georgia, the most stupendous sculptural undertaking is in progress that has ever been conceived anywhere in the world. The idea of carving the face of the gigantic Stone Mountain as a memorial to the Confederacy originated with Mrs. Helen Plane and was adopted by the United Daughters of the Confederacy in 1916.

Gutzon Borglum was appointed sculptor, and carving was begun on 1923. In 1925, following severe disagreements, his contract was cancelled and Augustus Lukeman was appointed his successor. At present the three main figures of the central group, those of Jefferson Davis, Robert E. Lee, and Stonewall Jackson, are being carved. Immediately upon the completion of these figures, however, the next phase of the work to be undertaken will be the Memorial Hall.

In Georgia there are of further note several monuments by Daniel Chester French. The Spencer Memorial in Atlanta and the General Oglethorpe Monument in Savannah are by him, and both have harmonious bases by Henry Bacon, architect.

Mississippi possesses an important repository of sculpture in the National Park Cemetery at Vicksburg. Among the memorials in the Park are the works of such men as Lorado Taft, Herbert Adams, A.A. Weinman, and Solon Borglum.

In New Orleans, Lousiana . . . [is] the Wounded Stag by Antoine Louis Barye, which stands in front of the Delgado Museum of Art. The center of the historic Jackson Square is accented by one of Clark Hill’s famous equestrian statues of General Jackson. Effectively place on the plaza in front of the Courthouse is the bronze figure of Chief Justice White by Bryan Baker.

[In Austin, Texas are] her monuments to General Sam Houston and Stephen F. Austin, and the cemetery her figure of Albert Sidney Johnston.

In the 1933 edition of the American Art Annual are listed thirty-three native Southern sculptors. The most widely known name among these is that of Augustus Lukeman, a native of Virginia. Others in the list who have achieved more than a local reputation are William Couper, Nancy Cox McCormick, Angela Gregory, Ernest Bruce Haswell, Bonnie MacLeary, Waldine Amanda Tauch, and Enid Yandell.”

(The Fine Arts, Ula Milner Gregory; Culture in the South, W.T. Couch, editor, UNC Press, 1934, excerpts, pp. 275-277)

General Pierre G.T. Beaurgard is said to have been an enigma “for after the war he helped to destroy the old agrarian way and to build the New — the industrial — South.” Said also to have been a good general rather than a great one, his masterful defense of Charleston and Petersburg against staggering odds are a testament to his tactical abilities, though the independent field command he craved eluded his grasp. His egotistical mind and tongue warred continuously with fellow generals and political leaders of the Confederacy, and left him in a combative spirit long after the war ended.

Bernhard Thuersam, www.Circa1865.com

The Passing of the Creole Hero

“Beauregard seemed resigned to death. On Saturday, February 18, 1893, he seemed better, and dressed and came downstairs. The next day he complained of a feeling of oppression around his heart, and that night he did not sleep well.

Still, he got up on Monday, the twentieth, and spent most of the day in the garden and on the balcony. He dined with the family and spoke cheerfully of his recovery. Before retiring that night, he wound his watch so he could follow the doctor’s orders. Before [son] Henri left, Beauregard said, “I will be well tomorrow if I sleep tonight.”

The nurses remained on duty in the room. Shortly after ten they were startled to hear the death rattle in his throat. Before they could summon the family he was dead.

Into the home on Esplanade Avenue the condolences and resolutions of respect poured in a flood. They came from Louisiana and from all over the South – from State and city officials, former comrades, the organizations of which he had been a member, chapters of the United Confederate Veterans from Virginian to Texas.

[New Orleans] Mayor John Fitzpatrick proclaimed a period of mourning until after the funeral and directed that all municipal buildings be closed. Governor Murphy F. Foster ordered the same arrangements at the capital in Baton Rouge. Both the governor and the mayor asked the family for permission to let the body lie in state at the City Hall, and consent was granted.

Accompanied by an escort of National Guard units, the body, resting in a heavy casket finished in burl and ebony and adorned with silver handles, was conveyed to the council room at the City Hall. The walls of the dimly-lit chamber were hung with black drapes and Confederate and United States flags. Three Confederate emblems, one of which belonged to the Washington Artillery, covered the casket.

Above the catafalque stood the battle flag which Miss Hettie Cary had made for him from her own dress in 1861. All that night and throughout the next day, while an honor guard of Confederate veterans stood by, thousands of people passed through the room to gaze on the Creole hero.

On the afternoon of the twenty-third the body was . . . taken for burial to the tomb of the Army of Tennessee in Metarie Cemetery. Riding in a carriage was the chief mourner, Edmund Kirby Smith, now the only surviving full general of the Confederacy, who had come to New Orleans to attend a reunion. A month later he too would be dead.

At the grave, priests chanted the requiem, three volleys were fired in a last salute, and taps were sounded. From above, the equestrian statue of Albert Sidney Johnston looked down on the scene.”

(P.G.T. Beauregard: Napoleon in Gray, T. Harry Williams, LSU Press, 1955, excepts, pp. 320; 326-328)

The South has not produced a domestic architecture since 1865 as distinctive as that of the Old South, though the traditions of older styles of architecture prevail to this day and thwart the acceptance of mediocre and soulless modernist (read: Marxist) boxes. The cities, big and small, of the South also enjoy a plethora of important works by notable sculptors commissioned to create permanent reminders of those who fought for the liberty and independence of the South.

Bernhard Thuersam, www.Circa1865.com

Southern Remembrances in Stone

“America could never be called a sculpture-loving nation like France or Italy. A trip through either of these countries impresses one with the poverty of America sculpturally. The emotions, aspirations, and triumphs of these nations seem to have crystallized through the centuries into marble and bronze monuments.

A ready excuse for the lack of sculpture in the South is the poverty that was prevalent after the Civil War, the period in which the North erected so many of its monuments. That this explanation is not truly sufficient, however, is evident when one checks the sculptural commissions given in the South since the [First] World War.

The only State in the South that can boast of a long list of sculptured possessions is Virginia. Richmond as the capital has a fine array of monuments. Notable among these are Washington by Houdon; Robert E. Lee by Mercie; Jefferson Davis and General Wickham by Valentine. Charlottesville, the seat of the University of Virginia, has almost as many monuments as Richmond and several of high quality – a Lewis and Clark group and an equestrian Stonewall Jackson by Charles Keck; a second monument to George Rogers Clark of great merit by Robert L. Aitken, and the expressive Thomas Jefferson by Karl Bitter. Arlington, of course, adds to the State’s total.

A glance through the list off monuments in other cities in the State shows work by Henry Adams and Bryan Baker, monuments by Charles Keck in several places, and many monuments by George Julian Zolney. Even the smaller cities in Virginia are thus seen to call upon sculptors of national reputation to design their memorials.

After Virginia several States group together in the quantity and quality of their sculpture. Georgia, Mississippi, Louisiana and Texas are about in the same class.

At Stone Mountain, near Atlanta, Georgia, the most stupendous sculptural undertaking is in progress that has ever been conceived anywhere in the world. The idea of carving the face of the gigantic Stone Mountain as a memorial to the Confederacy originated with Mrs. Helen Plane and was adopted by the United Daughters of the Confederacy in 1916.

Gutzon Borglum was appointed sculptor, and carving was begun on 1923. In 1925, following severe disagreements, his contract was cancelled and Augustus Lukeman was appointed his successor. At present the three main figures of the central group, those of Jefferson Davis, Robert E. Lee, and Stonewall Jackson, are being carved. Immediately upon the completion of these figures, however, the next phase of the work to be undertaken will be the Memorial Hall.

In Georgia there are of further note several monuments by Daniel Chester French. The Spencer Memorial in Atlanta and the General Oglethorpe Monument in Savannah are by him, and both have harmonious bases by Henry Bacon, architect.

Mississippi possesses an important repository of sculpture in the National Park Cemetery at Vicksburg. Among the memorials in the Park are the works of such men as Lorado Taft, Herbert Adams, A.A. Weinman, and Solon Borglum.

In New Orleans, Lousiana . . . [is] the Wounded Stag by Antoine Louis Barye, which stands in front of the Delgado Museum of Art. The center of the historic Jackson Square is accented by one of Clark Hill’s famous equestrian statues of General Jackson. Effectively place on the plaza in front of the Courthouse is the bronze figure of Chief Justice White by Bryan Baker.

[In Austin, Texas are] her monuments to General Sam Houston and Stephen F. Austin, and the cemetery her figure of Albert Sidney Johnston.

In the 1933 edition of the American Art Annual are listed thirty-three native Southern sculptors. The most widely known name among these is that of Augustus Lukeman, a native of Virginia. Others in the list who have achieved more than a local reputation are William Couper, Nancy Cox McCormick, Angela Gregory, Ernest Bruce Haswell, Bonnie MacLeary, Waldine Amanda Tauch, and Enid Yandell.”

(The Fine Arts, Ula Milner Gregory; Culture in the South, W.T. Couch, editor, UNC Press, 1934, excerpts, pp. 275-277)