Circa1865

As one of Lincoln’s cabinet members, Gen. Henry Halleck advised him in mid-1862 that enlistments had ceased and few new volunteers were to be had. A new system was devised to attract “patriots” and the large enlistment bounties paid by New York State alone accumulated a bounty-debt of $26 million, and the overall Northern debt from bounties was nearly $3.5 billion. In addition, Ireland, England and Europe were scoured for Lincoln’s patriots.

Bernhard Thuersam, www.circa1865.org

Searching for Irish Cannon-Fodder

“The Federal government encouraged [the Irish immigration] movement not only to relieve labor shortages but to replenish the ranks of the Union army, which by 1863 had been seriously depleted by casualties and desertions (It is important to note that General Halleck had admitted in 1862 that enlistments had ceased, and few new volunteers were to be had) . . . There is no doubt that the North relied heavily on immigrant soldiers. The best evidence of this lies in a study of the correspondence between [Secretary of State William] Seward and Federal representatives abroad. In May 1861, Henry S. Sanford, American Minister to Belgium, suggested to Seward that as the Lincoln administration apparently intended to rely primarily on volunteers for the army, it was not too early to look abroad for recruits . . . and the Confederates quickly took note of it [as] Dudley Mann, Southern Commissioner to Belgium, informed his government that Federal agents were busy in Ireland and Central Europe.

On August 22, 1862, Thomas A. Dudley, US Consul at Liverpool, informed Sanford that an agent, E. Bell, would guarantee fifty thousand Irish recruits — for a consideration — and urged Sanford to come to Liverpool to close the deal.

John Bigelow, American consul general at Paris advised Seward late in August 1862 to send all Federal consuls in Europe full particulars about bounties paid to volunteers . . . Mercenary soldiers were uppermost in Seward’s mind, for on September 19, 1862 he wrote Bigelow that “to some extent this civil war must be a trial between the two parties to exhaust each other. The immigration of a large mass from Europe would of itself decide it.” While it was an easy matter to entice Irishmen to the United States, it was equally easy to enlist them on arrival. Simply informing the penniless immigrants of the large bounties was often sufficient. Even more attractive were the large sums offered by speculators who secured substitutes for Northerners who wished to avoid the draft.

[Often] the immigration authorities simply detained unwilling prospective recruits for specious reasons until they were either destitute or desperately in debt to unscrupulous loan sharks. At this point the enlistment bounties became indispensable to the immigrant. Confederate counteractivity was intensified in July 1863 when Secretary of State Judah Benjamin dispatched Lt. J.L. Capston as a special agent to Ireland. A native of Ireland . . . Capston was to inform the Irish masses by every means he could “of the true purposes of those who seek to induce them to emigrate.”

(The Unequal Duel: Union Recruiting in Ireland, 1863-1864, Charles P. Cullop, Civil War History, June 1967, Volume 13, Number 2; pp. 101-107)

In early 1926 a Grand Army of the Republic (GAR) Post in Pennsylvania protested placing a statue of General Robert E. Lee in the Capitol near George Washington. Lee surpassed the latter as a military leader as he fought the grand armies whose intentions were destroying the very republic Washington helped create.

Bernhard Thuersam, www.circa1865.org

Washington Lonely No More in Heaven

“The following, taken from the News & Observer, of Raleigh, NC, disposes of the recent emanations from that GAR Post in Pennsylvania which seemed to feel the need of getting before the public in some vicious way. Doubtless this was soothing:

“Somebody ought to take up a collection and transport to Washington the members of that GAR Camp in Pennsylvania which recently declared that Robert E. Lee was a traitor to his country and the military leader of an armed rebellion against the government of the United States having as its object the destruction of the Union, and if Robert E. Lee had received his just dues he would have been hanged and the scaffold preserved as a monument to his infamy.

Those provincial fire-eaters would find that, with the approval of the Congress of the United States of America, representing forty-eight sovereign States, the statue of Robert E. Lee stands near to that of George Washington — par nobile fratum — in the Capitol in Washington. In all the history of the world there have not been two great men so much alike.

Indeed, as has been said, “Washington was lonesome in heaven until Lee arrived.” Both were rebels against authority; both fought honorably.  If Washington had lost, he still would have been the great figure he is. Lee’s fame rises higher because of failure to attain his objective, because in defeat he had a nobility and grandeur unequaled except by that of Washington in victory.

If Lee was an “arch traitor,” so was George Washington. It is good company, and the superheated Pennsylvanians will live to see the day they will be ashamed of their resolution.”

(Confederate Veteran, May, 1926, page 164)

Northern anti-slavery agitators fomented discord and disunion long before 1861 and did their utmost to cause the South to seek a more perfect union. And that South rightly asked why the North agreed to the Compromise of 1850 when it had no intentions of abiding by it. If the abolition of slavery was indeed their crusade, why did abolitionists not encourage the example of the British with compensated emancipation, thus averting war and wanton destruction?

Bernhard Thuersam, www.circa1865.org

Northerners Illustrate Little Regard for the Union

“In the North, sincere if fanatical abolitionists and opportunists alike used the slavery issue for political advancement. In the South, the voices . . . grew more passionate in their crusades for independence. Northern agitators gave them the ammunition.

When the Southern States had adopted the Compromise of 1850, the Georgia legislature summarized the attitude of them all. Serving notice that the preservation of the Union depended on the Northern States’ faithfully abiding by the terms of the Compromise, the Georgia delegates stressed its particular application to the federal laws regarding fugitive slaves.

This was a very real issue to the planters, and nothing so impressed the individual Southerner with Northern hostility as the protection given runaways in the North and the actual attacks on federal officials trying to enforce the laws on stolen property. On this last point, the Georgians stated, “It is the deliberate opinion of this convention that upon the faithful execution of the fugitive-slave bill depends the preservation of our much-loved Union.”

Yet in the North, many people continued to repudiate and defy the fugitive slave laws, which constituted about the only thing the South got out of the Compromise. To the Southerners trying to promote secession, this breach of faith served to illustrate the little regard in which the North held Union.

Then Northern literature erupted into what amounted to an anti-Southern propaganda mill. In 1851 appeared Uncle Tom’s Cabin, that inflammable work of the imagination, to start the decade in a spirit of recriminations. With the pamphlets and literature which took up where Mrs. Stowe left off, newspapers joined in the denunciations of their fellow Americans. To support the fictional pictures of the benighted Southerners, the New York Tribune stated flatly that plantations were “little else than Negro harems,” and that, of Washington, Jefferson, Madison, Monroe, and Tyler (who was still living) “hardly one has failed to leave his mulatto children.”

Even Virginia, which produced these Presidents, had been brought to ruin by “pride and folly and . . . [Negro] concubinage . . . ” while South Carolina, with its “chivalry-ridden inhabitants,” like the other States, “is a full thousand years behind the North in civilization.” Emerson and Longfellow, Lowell and Whittier, the new literary pillars of that civilization, conjured up pictures of the vileness of their Southern neighbors.”

(The Land They Fought For, The Story of the South as the Confederacy, 1832-1865, Clifford Dowdey, Doubleday and Company, 1955, pp. 44-45)

Americans in the South had no reason for repentance after being crushed militarily, and in no way did the radical Republican party which destroyed the Founders’ union of 1787 recognize the principles of that Declaration which it did all in its power to subvert.  Had there been no Republican party, the Union would indeed have been saved, peaceful Christian charity and time would have ended slavery, equality under the law would have reigned as provided in the United States Constitution, and no Northern citizens and editors would have been imprisoned in American bastilles for opposing Republican Jacobin political hegemony.

Grant’s vice-president “Smiler” Colfax would be brought down by the Credit Mobilier scandals which bribed high government officials with cash and stocks; he was replaced as vice president in 1872 with another corrupt Republican, Henry Wilson.  Colfax went on to further infamy as a political boss whose expertise was rigging elections.  Below, he accepts the 1868 nomination.

Bernhard Thuersam, www.circa1865.org

Colfax’s Myth of Saving the Union

Letter of acceptance of the vice-presidential nomination, National Union Republican party, 29 May, 1868:

“The debt of gratitude [my acceptance] acknowledges to the brave men who saved the Union from destruction, the frank approval of amnesty based on repentance and loyalty, the demand for the most thorough economy and honesty in government, the sympathy of the party of liberty with all throughout the world who long for the liberty we here enjoy, and the recognition of the principles of the Declaration of Independence, are worthy of the [Republican party] on whose banners they are to be written in the coming contest.

Its past record cannot be blotted out or forgotten. If there had been no Republican party, Slavery would to-day cast its baneful shadow over the Republic. If there had been no Republican party, the free press and free speech would be unknown from the Potomac to the Rio Grande as ten years ago. If the Republican party could have been stricken from existence when the banner of rebellion was unfurled, and when the response of “no coercion” was heard in the North, we would have no nation to-day.

But for the Republican party daring to risk the odium of tax and draft laws our flag could not be kept flying on the field until the long-hoped for victory came. Without the Republican party the Civil Rights bill – the guarantee of equality under the law to the humble and the defenceless, as well as to the strong – would not be to-day upon our national statute book.

With such inspiration from the past, the example of the founders of the Republic, who called the victorious General of the Republic to preside over the land his triumphs had saved from its enemies, I cannot doubt that our labors with be crowned with success.”

Very truly yours, Schuyler Colfax”

(The Republican Party, 1854-1904, Francis Curtis, G.P. Putnam’s Sons, 1904, page 507)

The victor of wars writes the history, inflates his lofty intentions and controls what is set in the record. William Joseph Peele was a simple North Carolinian who is credited with the creation of the Agricultural and Mechanic Arts schools in the State, and support for a State Historical Commission which would set the record straight.

Bernhard Thuersam, www.circa1865.org

The Northern Record Speaks a Lie

“Mr. Peele could not get away from the idea that the cause of the Civil War was commercial jealousy. Henry Adams and Mill say that in ’61 the people of England entertained the same opinion. Peele did give credit to the North for so shifting the issue that it seemed to be a war for freedom.

“The agitation about the Negro, as a counter-irritant to distract attention from the injustice of Federal revenue laws, was [said Peele] more than a success; for the shallow politicians of both sections forgot the real issue; but the beneficiaries never lost sight of it. I will use a homely illustration:

A and B are doing business on the opposite sides of a street; B begins to undersell A; A becomes angry, but cannot afford to tell his customers the cause; he hears that B once cheated a Negro out of a mule; he makes that charge; they fight; the court record of the trial shows that the fight was about the Negro and the mule; but there is not a business man on the street who does not know that the record speaks a lie.”

(William Joseph Peele, by Robert W. Winston, Proceedings of the North Carolina Historical Commission, November, 1919, page 116)

By 1936 FDR had communist-infiltrated labor unions supplying campaign money through Russian communist Sidney Hillman’s CIO-PAC, the first political action committee in the United States. By that date the Democratic party platform differed little from that of the Communist Party USA (CPUSA), and FDR’s running mate, Henry Wallace, helped attract collectivist votes to the Democrat party.  Today, Hollywood’s virtual reality programming continues its vital agitation and propaganda role.

Bernhard Thuersam, www.circa1865.org

CPUSA Discovers Hollywood Clout

“The Communist Party [in the United States] enjoyed great success with “front groups,” organizations they controlled without that control being publicly recognized. One of the major front groups, the League of American Writers, had been an outgrowth of the American Writer’s Congress, an affiliate of the International Union of Revolutionary Writers, headquartered in Moscow. During the 1930s, at the height of its success, the League even managed to enlist Franklin Delano Roosevelt, the President of the United States.

The founders of the [Soviet Union] were fascinated with the cinema because they recognized that it allowed limitless alteration of reality, the very goal they that they were attempting to achieve in real life. “Communists must always consider that of all the arts the motion picture is the most important,” said Lenin, who sent cinema trains into the Russian countryside during the 1920s. [Stalin explained in 1936 that] “The cinema is not only a vital agitprop device for the education and political indoctrination of the workers, but also a fluent channel through which to reach the minds and shape the desires of people everywhere.”

In 1926, Sergei Eisenstein, the USSR’s premier cineaste, made Battleship Potemkin, a film about a sailors’ mutiny. The Soviets used the movie as part of their labor-organizing efforts. Joseph Goebbels praised the picture and said it should be the model for Nazi cinema. French actor Yves Montand, who was born to communist Italian parents who fled France from Mussolini’s Fascist regime, said it was the dramatic Potemkin, not the turgid Das Kapital, that stirred his loyalties to Marxism and the USSR.

In 1933, at the nadir of the Depression, impoverished New Yorkers paid $89,931 in four days to see King Kong, at the time a record draw for an indoor attraction. Party cultural officials, eager as Stalin to influence people “everywhere,” duly took notice of Hollywood’s clout . . . and even Stalin enjoyed American gangster movies.

The implications of such influence were staggering to those who were seeking to extend this major movement of their time. Stalin reportedly claimed that he could easily convert the world to communism if he controlled the American movie industry.

“One of the most pressing tasks confronting the Communist Party in the field of Propaganda,” wrote [Communist International] boss Willie Muenzenberg, “is the conquest of this supremely important propaganda unit, until now the monopoly of the ruling class. We must wrest it from them and turn it against them.”

By the mid-1930s the tectonic shifts of history, and certainly the social and political conditions of the time, were all favorable to the Party, which was then moving from triumph to triumph. Hollywood loomed as one of its easier targets.”

(Hollywood Party, How Communism Seduced the American Film Industry, Kenneth Lloyd Billingsley, Prima Publishing, 1998, pp. 20-21)

Roosevelt the Second charged Frank Capra with creating war propaganda films to sustain the war frenzy and silence critics of his war as “traitorously unpatriotic” — the facts would take a backseat to selling war bonds. The solution might be, as the editorial below suggests, of having films supervised by “well-known historical professors” – though it remains that the professors may willingly subvert the facts in exchange for tenure and a paycheck.

Bernhard Thuersam, www.circa1865.org

Historically Inaccurate Cinema of 1936

“Those of us who are interested in the presentation of correct history will read with interest an editorial which appeared in a recent Christian Science Monitor on historical films. While the writer deplores the fact that so many historical personages and events are treated inaccurately, yet he expresses his belief that better days are in the offing. The editorial says:

“The rising tide of historical films is rapidly sweeping away the bridges of knowledge that have been laboriously and slowly built over the wastes of popular ignorance. Such is the opinion of the effect of the recent state if historical films, expressed at the last annual meeting of the Historical Society of London.

The Society can easily back up its assertions with concrete instances. Henry VIII, who ruled over England with some strength at one of the most crucial periods of its existence, has been represented to millions of cinemagoers in all parts of the world as a mere buffoon. Catherine of Russia, one of the sternest and fiercest of governors has been shown as a sentimental schoolgirl.

But the French ruler who permitted Joan of Arc to go to the stake had perhaps better treatment than he deserved in a recent picture. Nor are such travesties confined to English-speaking films. The whole trend of serious historical study nowadays is to get away from attaching undue importance to personalities. This the screen is counteracting, regrettably, in an inaccurate manner. But there are signs that better days are approaching.

One large film company is this year extending its program of definitely educational pictures. Its first venture will be supervised by a well-known historical professor. This is perhaps only a small thing, but it may be the beginning of a more conscientious era of historical films.”

(The Main Street of the South, Anne V. Mann, Historical Films Not Always Accurate, The Southern Magazine, Volume II, Number 11, May 1936)