Browsing "American Marxism"

Wilson’s Ideals Shattered by Bolshevism

Woodrow Wilson’s dream of a new world order to end all war was shattered by the scramble for territory, industrial machinery and reparations from a Germany defeated by American troops Wilson had promised voters he would not send into a European war. Within his idealism lay a benevolent collectivist view of the world, not much different than socialist Eugene Debs who he had imprisoned under the Espionage Act.

Bernhard Thuersam, www.Circa1865.com

 

Wilson’s Ideals Shattered by Bolshevism

“Woodrow Wilson’s first wife’s brother Stockton Axson, then serving as Secretary of the American Red Cross, was a frequent visitor [in the summer of 1918]. Dr. Axson remembered a conversation they had one Sunday afternoon in late June of that year . . . When Axson and the Wilson’s were alone after the meal, Wilson suddenly asked him whom he would name for the next President.

Axson suggested William McAdoo. [Wilson] said Newton D. Baker was the best man but he could never be nominated. “The next President will have to be able to think in terms of the whole world,” he went on. “He must be internationally minded . . . the only real internationally minded people” – Wilson was thinking aloud –“are the labor people. They are in touch with world movements.”

After the war the world would change radically. Governments would have to do things now done by individuals and corporations. Waterpower, coalmines, oilfields would have to be government owned. “If I should say that outside,” he exclaimed, “people would call me a socialist. And it is because I’m not a socialist that I believe these things.”

He added that he believed this was the only way communism could be prevented – Dr. Axson told Ray Baker he wasn’t sure Wilson used the word communism, which wasn’t yet in circulation, perhaps he said Bolshevism – “the next President must be a man who is not only able to do things, but after having taken counsel and made a full survey, be able to retire alone, behind his own closed door, and think through the processes, step by step.

At home, now freshly stimulated by Bolshevik propaganda against capitalism and war, there was than “baneful seething among the working class and the foreign born that never ceased to worry him. There was the troublesome agitation for the pardon of the syndicalist Tom Mooney convicted of bombing a [war] preparedness parade in San Francisco . . . Strikes kept interrupting war production.

From Americans in Russia came conflicting reports. Some saw in the Bolshevik government merely a final phase of the revolutionary upheaval destined to pass away in a few months like the Jacobin terror that ended the French Revolution. Others saw in it the foundation of a new social order. Ever since the Bolshevik seizure of power had shattered his dream of a democratic Russia he had been allowing the news from that revolution-torn empire to pile up against some closed door in his mind.”

(Mr. Wilson’s War, From the Assassination of McKinley to America’s Rejection of the League of Nations, John Dos Passos, Hamish Hamilton, 1963, pp. 373-375)

The Atomic Jolt Forward for City Planners

The US armed the Soviet Union to the teeth as an ally against Germany, in the process creating a postwar enemy it has spent trillions combatting. The atomic age also spurred city planners into central planning action to disperse city inhabitants which triggered urban blight and suburban sprawl. Jefferson wrote: “I view great cities as pestilential to the morals, the health and the liberties of man”; and noted that “the inhabitants of the commercial cities are as different in sentiment and character from the country people as any two distinct nations, and are as clamorous against the order of things [republicanism] established by the agricultural interest.”

Bernhard Thuersam, www.Circa1865.com

 

The Atomic Jolt Forward for City Planners

“In the atomic age, [a] report concluded, it was the nation’s newspapers that would “set the pattern and pace” of the public’s scientific knowledge and hence determine its ability to make informed decisions on life-and-death issues.”

City planner Tracy B. Augur told the American Institute of Planners in 1946 that the planning profession had a crucial role to play in guiding the urban dispersal being widely advocated as a civil defense measure. If properly conducted, he said, such a project would involve not just piecemeal resettlement [of Americans outside cities], but a whole new urban planning approach.

The starting point, he went on, was for experts to define “the qualities of social life that are worth having” and then to “plan the kind of urban structure that will make them more fully possible.” Demonstrating the readiness of his profession to rise to this challenge, Augur presented a series of charts showing how a “typical city of half a million could be rearranged from a concentrated to a dispersed form without weakening its capacity to function as a single metropolitan unit.”

Such a systematic attack on the problems of the city, Augur insisted, was in any case overdue. “Long before the threat of the atomic bomb,” he said, urban planners had warned of the need for comprehensive programs to save the American city from “the blight . . . gnawing at its innards” and to convey to the larger society their dream of a totally-planned urban environment. Now suddenly Hiroshima and Nagasaki had propelled the question of the urban future to the top of the public’s agenda.

In the realm of city planning, Augur concluded hopefully, “the threat of atomic bombing may prove a useful spur to jolt us forward!”

At long last, city planners would assume the central social role they had long sought. Having lost the public ear after their heyday in the Progressive Era, city planners, under the spur of the atomic threat, would finally take charge of urban development and guide it along rational lines.

In a 1947 address to the National Recreation Association, a longtime activist in the park and playground movement painted the familiar grim picture of mass leisure in the atomic age, but hastened to offer a solution: “The answer to all this is, of course, Education and Recreation.”

The government must take the lead, he said, in expanding the nation’s recreational resources, including “parks and playgrounds, game reserves, public theaters, opera houses, orchestras, [and] hobby centers.”

Echoing Tracy Augur’s message to the city planners, this speaker assured the recreation specialists that their profession would be crucial to society’s survival in the era of atomic energy. “Unless ability to make wise use of leisure increases,” he insisted, “there is no doubt that our civilization is doomed.”

However implausible and even comic such views seem in retrospect, they were advanced in all earnestness in the perfervid post-Hiroshima cultural climate.”

(By the Bomb’s Early Light, American Thought and Culture at the Dawn of the Atomic Age, Paul Boyer, UNC Press, 1994, pp. 152-153)

From PC to the New Public Orthodoxy

This excerpt from a July 2000 Samuel Francis article traced the Leninist origins of and predictable conclusion of the political correctness phenomenon already in stride by the turn of the century.  Dr. Francis wrote that “the whole strategy of the revolution today known as “political correctness” relies on the distorted title of Lenin’s [1904] pamphlet,” One Step Forward, Two Steps Back.”  Lenin’s goal was “the seizure of total power, in particular power over culture, the forms and structures of human thought and judgment.”

Bernhard Thuersam, www.Circa1865.com

 

From PC to the New Public Orthodoxy

“The term “political correctness” is now more than ten years old, and no sooner had it come into vogue than it began to excite the kind of ridicule that it deserved. Tales of college classes where elementary facts of history, science, literature and philosophy were deliberately butchered or silenced in order to suit the sexual, class, or racial obsessions of blatantly unqualified teachers became commonplace.

Students and even faculty were disciplined and sometimes punished with expulsion or threats of violence for the slightest verbal deviation from the “codes” imposed at distinguished universities.

For some years after its appearance, the battle against “political correctness” served as a major theme of almost all conservatives, paleo or neo, not a few of them made their reputations as writers in exposing the p.c. farce.

Once the radicals retired [from universities] in the next ten or twenty years, [a prominent neoconservative] predicted, the political correctness cult would disappear. As usual, the neoconservatives were wrong.

What has actually happened is that p.c. took its degree and graduated into the larger society. Today, not only universities but corporations and even town and city councils maintain codes of speech and behavior often far more draconian than anything ever concocted at Berkley of Madison.

The common response of most conservatives and even of the most sensible liberals to political correctness is to treat it as a joke, a silly excess of ignoramuses and intolerant mediocrities unable to master the traditional curricula or abide by standards of conduct that prevail in real schools and universities. Unfortunately, that response largely misses the larger point about political correctness, which is that it represents an actual revolution.

The experimental, university phase of the revolution lasted for about five or six years – the end of the 1980s and the first part of the 1990s – before the speech codes imposed by the first generation of revolutionaries began to be dismantled and replaced by more “moderate” ones.

That the revolution has now entrenched itself well outside the English departments and dormitories of academe ought to be clear enough. In 1999, the famous incident of the use of the word “niggardly” by a white Washington, D.C., city worker led to the worker’s dismissal for using racially inflammatory and insulting language.

The point is that it is not the act of offense that is being punished, it is the language used and the ideas invoked. To use a word that even points toward forbidden subjects is not a breach of etiquette; it is an act of subversion.

What is happening is that one set of icons, symbols, and (in the cant of the day) “role models” created and established by the old American culture is being replaced by another set of icons and symbols created and established by another culture that has found a new master race: The Virginian Confederate heroes of Richmond’s Monument Avenue are displaced by a statue of black tennis star Arthur Ashe; a mural of Lee in Richmond is altered to suit black demands but is later firebombed and vandalized with the slogan “Kill the white demons”; names of Confederate generals on the city’s bridges are changed to names of local “civil rights” leaders.

The revolution will probably not finish as radically as it began . . . [and] will allow the “conservatives” who defend the old culture to save face a bit and boast of how moderate they are and how they are willing to accept change. But the premises – that the old nation and culture are so evil that their symbolism must be altered or discarded and that the new dominant race and culture are so good that theirs must be saluted and worshipped as part of the new public orthodoxy, the new political formula that justifies the new ruling class – have already been conceded.”

(The Revolution Two-Step, Dr. Samuel Francis, Chronicles, July 2000, excerpts, pp. 32-33)

When Conservative Statesmen Walked the Earth

The Southern Dixiecrat movement was greatly the result of the communist-dominated labor union infestation of FDR’s Democrat party from 1936 onward. FDR’s labor advisor was Sidney Hillman, Russian refugee from the 1905 revolution who as a radical labor organizer in New York City, earlier delivered communist votes to Roosevelt for governor. In 1936 Hillman formed the CIO and the first political action committee, CIO-PAC, with the intention of funneling labor money directly to FDR’s reelection campaigns. Roosevelt’s 1940 running mate, Henry Wallace, saw nothing wrong with communism and the Southern Democrats had had enough. Hillman’s CIO spawned the Highlander Folk School in Tennessee, a communist labor-organizing training facility attended in the mid-1950’s by M.L. King and Rosa Parks.

Bernhard Thuersam, www.Circa1865.com

 

When Conservative Statesmen Walked the Earth

“From the outset of his administration, the central theme of the [Virginia Governor William] Tuck tenure was hostility to organized labor. In his first message to the General Assembly, the new governor denounced public employee unions, and the legislators responded by declaring public employee collective bargaining to be contrary to the public policy of Virginia.

When employees of the Virginia Electric and Power Company threatened a strike in the spring of 1946, Tuck declared that a state of emergency existed, and mobilized the unorganized State militia, and threatened to induct 1,600 of the utility’s employees. The next year he convened a special session of the General Assembly and secured passage of two additional measures: one permitting State seizure of strike-plagued utilities, and another outlawing compulsory union membership (the “Right to Work Law”).

Across the nation a rash of postwar strikes caused the organized labor movement’s popularity to plummet. President Truman in 1946 vetoed legislation designed to curb union power, and that move, in combination with concessions made by the administration in order to end a United Mine Workers strike, brought the new President widespread criticism.

Senator [Harry F.] Byrd and the State’s conservative Democratic congressmen spent much of their reelection campaigns in 1946 pillorying organized labor; Eighth District Congressman Howard W. Smith, for example, assailed the Congress of Industrial Organizations’ political action committee (“CIO-PAC”) as a “new swarm of carpetbaggers who are invading the Southern States [and] are impregnated with communism.”

The ever-widening gulf between Senator Byrd and the national Democratic Party was the principal reason for the [Virginia] Republicans high hopes. Byrd supported Franklin Roosevelt for President in 1932, but he quickly became disenchanted as the new President repudiated the conservative thrust of his 1932 platform and embarked on a broad new social agenda.

When Roosevelt’s ill-fated “court-packing” plan was advanced in 1937, Byrd and other Southern Democrats joined with the Republicans to defeat it, thereby giving birth to the conservative coalition that would remain a formidable force within the Congress for decades. It was President Truman, however, who most infuriated Byrd.

Like most of his Southern colleagues, the Virginia senator initially greeted Harry Truman’s ascension to the Presidency in April 1945 with favor. Truman, after all, was the son of a Confederate soldier, and his Missouri accent fueled the feeling among Southerners that one of their own was finally in charge. In fact, Truman owed his spot on the national ticket in 1944 to Southern party leaders who had insisted that Roosevelt jettison liberal Vice President Henry Wallace as the price of their continued support.

[After Truman] attempted to breathe new life into FDR’s New Deal coalition, the President proposed a variety of liberal initiatives in his State of the Union message. The President’s initiative brought a sharp and swift denunciation from Virginia’s senior senator. “[Taken] in their entirety,” declared Byrd, “[the Truman civil rights proposals] constitute a mass invasion of States’ rights never before even suggested, much less recommended, by any previous President.”

The senator’s disdain for Truman was surpassed, perhaps, only by that of Governor Tuck. On February 25, 1948, the governor went before the General Assembly to denounce the Truman civil rights program and to propose a measure of his own for dealing with the President. The Tuck “ballot bill” would keep the names of all presidential candidates off of the November ballot in Virginia. Instead, only the parties would be listed . . . [to] keep Truman from getting Virginia’s electoral votes . . . In Washington, Senator Byrd took to the floor to strongly endorse the Tuck bill and commend it to his Southern colleagues.”

(The Dynamic Dominion, Realignment and the Rise of Virginia’s Republican Party Since 1945, Frank B. Atkinson, George Mason University Press, 1992, pp. 20-22)

 

 

Truman the Prisoner of Socialist Planners

Author John T. Flynn wrote in 1949 of the communist takeover of the Democrat Party, which was fairly complete in 1936 as FDR’s labor friend Sidney Hillman formed the first political action committee, CIO-PAC, to funnel labor unions funds into his political campaign. By the early 1940’s Southern Democrats had enough of party communists and railed at FDR’s running mate in 1940, Henry Wallace, who was very friendly with the Soviets. Thus came the Dixiecrat Party.

Bernhard Thuersam, www.Circa1865.com

 

Truman the Prisoner of Socialist Planners

“The country recently witnessed a struggle in the United States Senate around a proposal of the president to put federal force behind the guarantee of what is called “civil rights.” Few of those who read of the filibuster conducted by the Southern Democratic senators understood the real purpose behind this bill.

Ostensibly it was to give our Negro citizens equality of rights of various kinds with their white brethren. But the real objective was little discussed and even less perceived by the casual newspaper reader.

Of course the problem of the Negro and his position in the South and, for that matter, in the North, is a perpetual irritant. It is not easy to square the discriminations against the Negro with a number of the most rapturously repeated phrases in accepted national philosophy. There are some aspects of the question that ought to be kept in mind.

First of all, the lurid and sensational stories about lynchings and hatreds and suppressions and oppressions have been outrageously exaggerated. It is a fact that almost all of the publicity about the outrages against Negroes in the South has originated in the propaganda agencies of the communist trouble-makers.

Why is the communist so deeply stirred about the Negro? Is he trying to correct injustices suffered by the Negro in order to improve his lot here and make him love America more? We know that the communist has one supreme interest and that is to excite and stimulate the hatreds of every class in the country.

Sooner or later this country must face the problem of the Negro. It is simple enough in New York. It is not so simple in Mississippi, where the Negroes almost equal the whites in number, or in Georgia, where Negroes outnumber whites in probably half the counties in the State.

White supremacy is a phrase encrusted with unpleasant connotations in the North. But in hundreds of Southern counties where Negroes outnumber whites the people are sure that if the Negroes voted there would be not white supremacy but Negro supremacy. In light of our professed beliefs about the rights of man, however, it is not an easy matter for our people to face up to this problem squarely.

One day an educated Negro population, rather than the poor cornfield worker and the illiterate serving man, will confront the people of the country. Time, education on both sides of the color line, patience, understanding, may lead us to a happier relationship. But one thing is certain. There is no spot for the trouble-maker, the revolutionist, the communist bent on mischief, on division and disturbance.

The problem was thrown into the Senate in 1949 by [Democrat President Harry Truman]. I have, I believe, made it clear that the President is the prisoner of the socialist planners among his supporters, who elected him and who could break him pathetically tomorrow if it suited their purpose. It was in obedience to their imperious demand that this hurry-up solution of the Negro problem in the south has hurled into the Senate.

Now what was their purpose? Was it love for the Negro? Was it a wish to advance his position? Not at all. The purpose was entirely a part of the effort of these socialist planners to solve the great crucial political problem which confronts them. The Negro is merely to be one of the tools in the job.

[The Republican Party after 1865 has sewn up the black vote] But with the advent of the New Deal and the distress among the Northern and Southern Negroes and the great streams of relief money at the disposal of Democratic politicians, the Negro was brought en masse into the Democratic fold. This, however, hardly describes the performance perfectly.

The depression and the rise of the communist and New Deal socialist wing in New York, with Harry Hopkins sitting at the cashier’s window, made it possible for the socialist wing of the Democratic-Red alliance to capture Negro votes. Today [1949] the socialist movements have that vote in their bag. And they believe they can do the same thing with the Negroes in the South if they can get the vote for them.”

(The War on the South, The Road Ahead to Socialism, America’s Creeping Revolution, John T. Flynn, Devin-Adair Company, 1949, pp. 98-100)

CPUSA Discovers Hollywood Clout

By the mid-1930s FDR had communist-infiltrated labor unions supplying campaign money through Russian communist Sidney Hillman’s CIO-PAC, the first political action committee — Hillman had been FDR’s labor advisor in New York as governor. FDR’s later running mate, Henry Wallace, helped attract collectivist votes to the Democrat party.

Bernhard Thuersam, www.Circa1865.com

 

CPUSA Discovers Hollywood Clout

“The Communist Party [CPUSA] enjoyed great success with “front groups,” organizations they controlled without that control being publicly recognized. One of the major front groups, the League of American Writers, had been an outgrowth of the American Writer’s Congress, an affiliate of the International Union of Revolutionary Writers, headquartered in Moscow. During the 1930s, at the height of its success, the League even managed to enlist Franklin Delano Roosevelt, the President of the United States.

The founders of the [Soviet Union] were fascinated with the cinema because they recognized that it allowed limitless alteration of reality, the very goal they that they were attempting to achieve in real life. “Communists must always consider that of all the arts the motion picture is the most important,” said Lenin, who sent cinema trains into the Russian countryside during the 1920s. [Stalin explained in 1936 that] “The cinema is not only a vital agitprop device for the education and political indoctrination of the workers, but also a fluent channel through which to reach the minds and shape the desires of people everywhere.”

In 1926, Sergei Eisenstein, the USSR’s premier cineaste, made Battleship Potemkin, a film about a sailors’ mutiny. The Soviets used the movie as part of their labor-organizing efforts. Joseph Goebbels praised the picture and said it should be the model for Nazi cinema. French actor Yves Montand, who was born to communist Italian parents who fled France from Mussolini’s Fascist regime, said it was the dramatic Potemkin, not the turgid Das Kapital, that stirred his loyalties to Marxism and the USSR.

In 1933, at the nadir of the Depression, impoverished New Yorkers paid $89,931 in four days to see King Kong, at the time a record draw for an indoor attraction. Party cultural officials, eager as Stalin to influence people “everywhere,” duly took notice of Hollywood’s clout . . . and even Stalin enjoyed American gangster movies.

The implications of such influence were staggering to those who were seeking to extend this major movement of their time. Stalin reportedly claimed that he could easily convert the world to communism if he controlled the American movie industry.

“One of the most pressing tasks confronting the Communist Party in the field of Propaganda,” wrote [Communist International] boss Willie Muenzenberg, “is the conquest of this supremely important propaganda unit, until now the monopoly of the ruling class. We must wrest it from them and turn it against them.”

By the mid-1930s the tectonic shifts of history, and certainly the social and political conditions of the time, were all favorable to the Party, which was then moving from triumph to triumph. Hollywood loomed as one of its easier targets.”

(Hollywood Party, How Communism Seduced the American Film Industry, Kenneth Lloyd Billingsley, Prima Publishing, 1998, pp. 20-21)

 

Revolutionary Indemnity Deja Vu

The French Revolution unleashed the idea of the Rights of Man and Nations, an unstoppable force which led to the 1848 socialist revolutions in Europe. The latter sent radical German revolutionaries, the “Forty-eighters,” who controlled the powerful German-American press which Lincoln did not ignore in 1860. The Federal host invading the American South included divisions of Germans, Irish, the Red Shirts of Garibaldi, and some who had followed the Hungarian revolutionary, Kossuth.

Bernhard Thuersam, www.Circa1865.com

 

Revolutionary Indemnity Deja Vu

“The French Revolution was different [than previous revolutions] because it brought into the world and Europe in particular, a new idea, the Rights of Man, and with the Rights of Man went the Rights of Nations. Where previously states had been based on dynastic power they were now based on national existence. In the old days, right up to 1789, the state was simply the property of the ruler . . . Then suddenly there appeared the French people who said, “We are France.”

This was a challenge to all the dynasties of Europe and there was a competition of propaganda and of assertion, with, as the [revolution] developed, first the liberal and then the radical, and then the revolutionary leaders staking out more aggressively the claims of the people of France and in time the claims of others. After all, if France had the right to be a nation . . . this applied to others.

One of the factors which produced the revolutionary war was the provocative declaration which the French legislative assembly made on 19 November 1792, promising help and fraternity to every nation seeking to recover its liberty.

The word recover is curious. Most of the nations had never had their liberty, but it was already a myth that there had been a distant time when peoples had all been free and had then been enslaved by their kings.

Something else was curious about it. Although two great forces, the one of monarchy, of tradition, of conservatism, the other of liberalism and nationalism, were moving against each other, neither of them looked at it in practical terms [and action beyond issuing threats].

Strangely enough, though France was the one threatened [by the other monarchies seeking a restoration of Louis XVI], it was the French revolutionary government which finally plunged into war, declared war – threatened Austria in April 1792, and then actually went to war, though unable to do very much.

Why? Because as one of them said: “The time has come to start a new crusade, a crusade for universal liberty.” When the French revolutionary armies encountered the armies of the old [French] regime and were defeated, the cry arose, as it does in a war, of “Treason.” “We are betrayed.” The very same cry that the French raised in 1940 when they were again defeated.

[As the French revolutionary armies] began to achieve victories, [they] certainly brought liberation from the traditional institutions, liberation from the kings and princes, liberation from the Christian religion. At the same time, they brought demands . . .”After all,” the French said, “We have done the fighting, we have liberated you, we have presented you with the Rights of Man, we not only had to pay the money for these armies, we had actually to do the fighting for you as well. Therefore you must pay us.”

Wherever the armies of liberty went in Europe, they imposed indemnities. They collected so much that there was a time when the French revolutionary wars were practically paying for themselves. Moreover, as the armies grew greater and more powerful, the apprehensions of the civilian politicians in Paris grew greater also.

What they wanted was that these revolutionary armies . . . devoted as they were to liberty and equality and fraternity, should not exert power in Paris itself. As one of the revolutionaries said “We must get these scoundrels to march as far away from France as possible.” Revolution had become something for export.”

(How Wars Begin, A.J.P. Taylor, Atheneum Press, 1979, excerpts pp. 20-33)

Foreign Aid and Santa Claus

North Carolina’s Senator Sam Ervin was a conservative Democrat of the old stripe, and stern advocate of a balanced federal budget. He wisely counseled that Congress had two simple fiscal choices: either to levy taxes sufficient to cover its appropriations, or, reduce appropriations to match federal income.

Bernhard Thuersam, www.circa1865.org

 

Foreign Aid and Santa Claus

“The foreign aid program had a benign beginning in the Marshall Plan, which merits the highest praise because it rehabilitated Western Europe in large measure from the economic devastation of the Second World War. As the programs implementing this Plan were nearing final consummation, President [Harry] Truman appointed a Commission headed by Secretary of Commerce Charles P. Sawyer to study foreign aid and make recommendations concerning its future. [This Commission] made a thoughtful report pointing out infirmities inherent in indiscriminate programs of this nature, and suggested the wisdom of terminating foreign aid with the consummation of the Marshall Plan.

Unfortunately, the report was made about the time Dwight D. Eisenhower was elected President, and has been ignored in subsequent times. The United States could have had intelligent and productive foreign aid programs with much less expenditures since that time if it had restricted its aid to truly needy nations, and to the financially insufficient nations . . .

Instead of doing this, the United States has converted itself in large measure into an international Santa Claus, who scatters untold billions of dollars of the patrimony of our people among multitudes of foreign nations, some needy and some otherwise, in the pious hope that American can thereby purchase friends and peace in the international world, and induce some foreign nations to reform their internal affairs in ways pleasing to the dispensers of our largess.

On one occasion, the Administrator of Foreign Aid confessed to a House subcommittee, which had oversight of the matter, that he was unable to inform it at the time the names and numbers of the foreign nations then receiving foreign aid from the United States.

I voted for foreign aid during my first year in the Senate on the theory that it was 51 percent wise and 49 percent foolish. Afterwards, I opposed all foreign aid bills . . . [and] I reminded Senators that every cent our country had expended in financing the foreign aid programs had been obtained by deficit financing. I added:

“If an individual were to borrow money to give it away, his family would institute a lunacy proceeding against him and have a guardian named to manage his affairs on the ground he lacked the mental capacity to perform the task himself. But if an American politician advocates that the United States borrow money by deficit financing and scatter it abroad among potential friends and foes alike, he is likely to be elected President or Senator or Representative, or to be appointed Secretary of State of Administrator of Foreign Aid.”

(Preserving the Constitution, The Autobiography of Sam Ervin, The Michie Company, 1984, pp. 80-81)

Inheriting Northern Problems

The South after 1865 not only became an economic colony for Northern interests, but also fell prey to the vices associated with the relentless and unbridled pursuit of profit inherent in the Northern culture.

Bernhard Thuersam, www.circa1865.org

 

Inheriting Northern Problems

“During the decade of the twenties, the South surpassed New England in textile manufacturing. A growing percentage of owners of Southern mills were absentee Yankees. In 1929 the region’s first serious labor revolts occurred, and Communist agitators were discovered among the rioters in Gastonia, North Carolina. There could no longer be any doubt that industrialization threatened to bring change. Some Southerners questioned the wisdom of continuing to heed the advocates of the “New South.”

If the South proceeded in remaking herself in the image of the North, would she not fall heir to those Northern problems from which she had fancied herself immune? Chief among the literary expressions of reaction was “I’ll Take My Stand,” published in 1930. A defense of agrarianism and individualism, it was the work of twelve Southern writers, most of them associated with Vanderbilt University in Nashville, Tennessee. During the 1920’s, four of their number (John Crowe Ransom, Allen Tate, Robert Penn Warren, Donald Davidson) published “The Fugitive,” a significant magazine of poetry and criticism.

Later in the decade with the nation seemingly committed to materialism and the South in ferment, they began their quest for Southern identity. They found the good life in an agrarian society where ideals meant more than money — in the South before 1880 — and they recommended it to a nation which had lost its balance. Like the Fugitives, Ball found the cherished personal virtues — the code of the upcountryman — secure only in the land. But because his arena was political, he saw the happier life also dependent upon conservative government.

(Damned Upcountryman, William Watts Ball, John D. Starke, Duke Press, 1968, pp. 151-152)

 

CPUSA Discovers Hollywood Clout

By 1936 FDR had communist-infiltrated labor unions supplying campaign money through Russian communist Sidney Hillman’s CIO-PAC, the first political action committee in the United States. By that date the Democratic party platform differed little from that of the Communist Party USA (CPUSA), and FDR’s running mate, Henry Wallace, helped attract collectivist votes to the Democrat party.  Today, Hollywood’s virtual reality programming continues its vital agitation and propaganda role.

Bernhard Thuersam, www.circa1865.org

 

CPUSA Discovers Hollywood Clout

“The Communist Party [in the United States] enjoyed great success with “front groups,” organizations they controlled without that control being publicly recognized. One of the major front groups, the League of American Writers, had been an outgrowth of the American Writer’s Congress, an affiliate of the International Union of Revolutionary Writers, headquartered in Moscow. During the 1930s, at the height of its success, the League even managed to enlist Franklin Delano Roosevelt, the President of the United States.

The founders of the [Soviet Union] were fascinated with the cinema because they recognized that it allowed limitless alteration of reality, the very goal they that they were attempting to achieve in real life. “Communists must always consider that of all the arts the motion picture is the most important,” said Lenin, who sent cinema trains into the Russian countryside during the 1920s. [Stalin explained in 1936 that] “The cinema is not only a vital agitprop device for the education and political indoctrination of the workers, but also a fluent channel through which to reach the minds and shape the desires of people everywhere.”

In 1926, Sergei Eisenstein, the USSR’s premier cineaste, made Battleship Potemkin, a film about a sailors’ mutiny. The Soviets used the movie as part of their labor-organizing efforts. Joseph Goebbels praised the picture and said it should be the model for Nazi cinema. French actor Yves Montand, who was born to communist Italian parents who fled France from Mussolini’s Fascist regime, said it was the dramatic Potemkin, not the turgid Das Kapital, that stirred his loyalties to Marxism and the USSR.

In 1933, at the nadir of the Depression, impoverished New Yorkers paid $89,931 in four days to see King Kong, at the time a record draw for an indoor attraction. Party cultural officials, eager as Stalin to influence people “everywhere,” duly took notice of Hollywood’s clout . . . and even Stalin enjoyed American gangster movies.

The implications of such influence were staggering to those who were seeking to extend this major movement of their time. Stalin reportedly claimed that he could easily convert the world to communism if he controlled the American movie industry.

“One of the most pressing tasks confronting the Communist Party in the field of Propaganda,” wrote [Communist International] boss Willie Muenzenberg, “is the conquest of this supremely important propaganda unit, until now the monopoly of the ruling class. We must wrest it from them and turn it against them.”

By the mid-1930s the tectonic shifts of history, and certainly the social and political conditions of the time, were all favorable to the Party, which was then moving from triumph to triumph. Hollywood loomed as one of its easier targets.”

(Hollywood Party, How Communism Seduced the American Film Industry, Kenneth Lloyd Billingsley, Prima Publishing, 1998, pp. 20-21)

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